The
Eden project (continued)
Does
your husband mind living in such a floral home?
He finds the apartment joyful and celebratory, and just wants
more flowers by the moment. I know some people would find all
this exuberance intimidating but, for me, this place is like a
garden paradise: it fills me with euphoria. White, on the other
hand, just feels sterile and lifeless.
New furniture or old? Old. I love flea markets
- everything in my living room is from a flea market and nothing
exceeded $500. It's not that I'm trying to save money, I just
prefer it. I find ordinary retail stores energetically dead. I
adore re-covering old chairs, footstools and Victorian sofas whose
springs are popping out - I feel I'm giving them a new lease of
life. I painted the wooden screen, too. My mother found it at
an antique shop and I painted the design straight on to it with
acrylics. I love the notion that a sofa has been around longer
than I have and that she might have stories she can whisper to
me when we're alone.
What sort of things do you rescue? I have an
obsession with chairs, so there's a family of rescued ladies in
our living room. I see them as my catwalk models, because I have
a huge collection of fabric designs to cover them with. I love
my English mahogany turn-of-the-century cabinet - it has all the
original glass in the doors and kind of plays the role of the
proper, elegant English gent in our living room. And then there's
my red Victorian rolled-arm couch. She came to us in mint condition
and now the upholstery is iridescent from being sat on so much.
She's been a really solid friend and plays back-up singer to all
my wild, patterned rugs and cushions.
How do you make sure your different pieces of furniture
'go' rather than 'fight'? Putting a room together requires
an understanding of the dialogue between objects. There are a
lot of different styles here, but everything interacts because
almost all the pieces are curvaceous and feminine. A very straight
Scandinavian sofa, for example, wouldn't look right here, because
it would be too masculine.
What's the secret to flea market shopping? When
you find something you like, check it over to make sure it's sound
- rotting wood is pretty visible if you turn the piece upside
down. I don't buy things if details have chipped or rotted off
with age, because you can't reconstruct beautiful details like
that and it often means the rest of the piece isn't too sound.
Mouldy upholstery and broken springs don't worry me, though -
a good upholsterer can work wonders.
What will you do when florals go out of fashion?
I have never been interested in trends, so the world can embrace
black and white and minimalism and I will just carry on doing
what I do.
How do you go about designing a new print? I
never sketch anything out first, because I adore irregularities
- I'm a little bored by perfect, symmetrical designs. I never
think about what it's going to look like. Prints just evolve leaf
by leaf, flower by flower. I often paint on swatches of silk,
then scale them up to create textile designs or canvases.
Have you ever gone too far on the floral front?
I thought I had when I covered the Victorian love seat with my
Vienna Garden print. I found the seat at a flea market: it was
covered in mouldy upholstery and cost me $150. I stood there in
the freezing rain trying to imagine what it would look like in
red and pink silk shantung fabric, and decided that it would bring
some real drama to my living room. It took me a week to decide
whether or not I had done the right thing.
Visit www.kimparker.tv for more information on the Kim Parker Home collection.
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